Solo
The Scrim Before the Scream (2025) for percussion
for percussion solo (bell plates, tuned gongs, tubular bells, metal tubes, tamtam)
written for Oscar Tudge
duration: ca. 10'
premiere: tba
Durch das Endlose (2025) for cello
duration: ca. 3'
This work was written for young performers.
Recording available upon request.
Esthers Intermezzo (2023) for organ
duration: ca. 5'
commissioned by Kirchengemeinde Aumühle
premiere: 08.10.2023, Stadtkirche St. Petri Ratzenburg
versteckt (2022) for piano
duration: ca. 6'
premiere: 2022, HfMT Hamburg
Improvvisazione per violino barocco (2018) for baroque violin
or
Improvvisazione per violino (barocco) for modern violin
duration: ca. 6-8'
premiere: 2018 in Wrocław
program note: Improvvisazione per violino barocco is a work for solo baroque violin, composed in October 2018. The piece brings together two musical styles - two eras that may seem distant, yet reveal unexpected similarities. Elements of baroque music are juxtaposed with contemporary techniques, creating a dialogue between past and present.
A central focus of the work is the virtuosity of both the instrument and the performer. At the same time, inspired by aleatoric practices, the piece incorporates elements of choice: the performer determines the course of certain improvised sections, shaping the musical form in real time.
The work is conceived specifically for the baroque violin. Its sound world relies on the characteristics of a historical instrument, including gut strings and a baroque bow, and is intended to be performed at a pitch standard of A = 415 Hz. While performance on a modern instrument is not excluded, the piece is closely tied to the sonic qualities of historical performance practice.
Maestoso (2014) for piano
duration: ca. 6'
premiere: 2014 in Wrocław